KEYMARK TELEVISION NETWORK https://validator.w3.org/feed/docs/rss2.html How Netflix’s Messy Transition Will Rock Hollywood: Looking at You, NBCU The Impossible ‘Whalefall’: Director Brian Duffield Wanted a Challenge, So He Discovered a Way to Crush Austin Abrams in a Whale Stomach That Left Onlookers ‘Baffled’ ‘Renoir’ Producers Join Asia-Europe Co-Production Panel at Tokyo Market as Japanese Accelerator Atmovie Global Track Partners With Ties That Bind Miley Cyrus Setlist: Every Song Played at ‘Bass Persuades – Live at the Hollywood Bowl’ Miley Cyrus Embraces Being the Anti-Pop Pop Star With Her First ‘Bass Persuades’ Concert at Hollywood Bowl: Concert Review ‘Avatar: Fire and Ash’ Composer and More Speak Out About AI at Ghent’s WSA Film Music Days: ‘We Must Continue to Defend Our Art’ Busan Takeaways: Record Crowds Meet a Political Storm as Asia’s Producers Close Ranks ‘Norm: The Tale of Norm Macdonald’: Five Biggest Takeaways, From the ‘SNL’ Firing to Concealing His Cancer Diagnosis Serielizados Program: Steven Moffat, Ferran Adrià and Rodrigo Sorogoyen Bring Star Creator Power to Barcelona Singapore Media Festival Launches Creator Summit as Asia TV Forum Adds AI Zone, Microdrama Focus Netflix’s ‘Victorious’ Spinoff ‘Hollywood Arts’ Is a Bland Copy of Shows From a Past Era: TV Review Karla Sofía Gascon, Itziar Ituño Set for Political Fantasy Satire ‘When Devils Rule’ from Spain’s Atlantika Films (EXCLUSIVE) Mipcom Title ‘The Castle’ Shapes Up as Another Hit From ‘La Bola Negra’ Producer Movistar Plus What’s Driving Spanish TV? Spanish Drama Originals on Platforms, Renewals and Crossover Genres YouTube’s Virtues, Industry Consolidation, Christie Brinkley and ‘Baywatch’: Trends and Themes From a Busy Mipcom Todd Haynes on Pedro Pascal-Led ‘De Noche,’ What You Can’t See on Screen and the Radical Power of Love The Negative Melted, the Legend Didn’t: Inside the Resurrection of Kamal Amrohi and Meena Kumari’s Storied Indian Epic ‘Pakeezah’ ORF-Enterprise Boards ‘Crème de la Crème’ – About a Sperm Bank Business – Produced by Whatever Pictures and a ‘Playful and Irreverent’ Series Going Big in Japan: International French Hit ‘Bright Minds’ Season 7 Heads to Tokyo (EXCLUSIVE) Tallinn-Bound Indian Drama ‘Kidney’ Boarded by Shiladitya Bora’s Platoon One Films (EXCLUSIVE) Toni Collette’s Directorial Debut ‘The Best Of’ Among 75 Projects Backed by Screen Australia Sony Pictures Imageworks’ Michelle Grady and ILM’s Janet Lewin on Bad Bosses and Changing Studio Culture: ‘Culture Is What You Tolerate’ ‘Bloodsuckers’ Team Reunites on ‘Body in the Closet’ on Warner Bros. Title With Comedian Axel Åhman Eyed for the Lead Role (EXCLUSIVE) Whistleblowing Portal Launches in U.K. for Entertainment Industry Workers to Report Abuse, Harassment and Discrimination ‘God of War’s’ Bruno Velazquez, ‘Mandalorian & Grogu’s’ Hal Hickel Detail Cinema-Gaming Crossover at View Conference Where Is Spanish Production Heading at Mipcom 2026? José Maria Cabral on Tallinn-Bound ‘Sh*t Happens,’ Boarded by Latido Films: ‘It’s About Class, Dependency and Power’ Isabelle Huppert Says AI Hasn’t Replaced Her Yet: ‘It Really Is Me Acting’ Beta Film Secures Major Deals for Female-Led Dramas ‘Queen Silvia’ and ‘La Vida Barcelona’ Russell Brand’s Criminal Trial Begins in London as He Faces Rape and Sexual Assault Charges Rosalía Performs an Entire Number En Pointe on ‘SNL,’ Then Cools Off With a Nice Shower Taiwan’s Sole Busan Competition Title ‘To Be Ordinary’ Marks Lee Yun Chan’s Return to Features After Two Decades Korean and Italian Producers Sign Co-Production Pact at Busan Market Sci-Fi Thriller ‘Overstake’ Gets Generative AI Rebuild, Boarded by Cappu Films at Busan Market (EXCLUSIVE) Journey Drummer Deen Castronovo Returns to the Stage to Play Full Show, Two Nights After Medical Scare Spain’s TV Powerhouses Forge New Partnerships as Series Biz Evolves Vietnamese Horror ‘Arithmadtic’ Leads Bee Entertainment’s Busan Market Slate, With New Film From ‘The Corpse’ Director Movistar Plus Drives Into YA Comedy, Smart Social Issue Genre Netflix Says 67% of Surveyed Members Want to Visit Korea as Busan’s Creative Asia Puts Locations in Focus Vietnamese Supernatural Horror ‘Bloodline: The Curse Within’ Heads to Busan Market With Mockingbird Pictures (EXCLUSIVE) How ‘Dying to Survive’ Director Wen Muye Turned a Cook’s War Into $342 Million China Smash ‘Once Upon a Time in the Middle East’: ‘I Never Think About Social Issues in Advance’ SkyShowtime’s ‘The Homicide Unit,’ From Warner Bros., and Iceland’s ‘Fjord’ Boarded by Reinvent Yellow Sales (EXCLUSIVE) John Rhys-Davies, Diego Boneta Fantasy ‘Starbright’ Boarded by Cappu Films Ahead of Busan Market (EXCLUSIVE) A Rare David Bowie Self-Portrait — Featuring His Handprints — Is Going on Auction at Sotheby’s Bavaria Media Intl. Unveils Mipcom Slate Including German TV Hits ‘Mordach,’ ‘Home-Made Christmas’ and ‘Throughout the Years’ (EXCLUSIVE) Doha Film Festival Unveils Competition Lineup With Accent on Female Filmmakers and Middle East Fare Na Hong-Jin Traces ‘The Chaser,’ ‘The Wailing’ and ‘Hope’ to Bar Talk, Shamans and War Fears at Busan Masterclass Vancouver Film Festival Prizes: Big Wins for Immigrant Tale ‘Nina Roza,’ the ‘Polished Cinematic’ ‘In the Heart of the South’ and Separated Sisters Story ‘How We Stand’ James Gunn Responds to ‘Clayface’ Criticism: ‘The Public Voting on What IP They Want to See’ Isn’t ‘the Only Way to Make a Movie’ Keymark Television Network