KEYMARK TELEVISION NETWORK https://validator.w3.org/feed/docs/rss2.html Inside the Restoration of Indian Cult Classic ‘English, August,’ Heading to Venice as Relevant as Ever (EXCLUSIVE) Venice Horizons Winner Anuparna Roy Returns to Lido With Mumbai Story of Migrants, Desire and Belonging ‘Lovers in the Blue Night’ Amazon’s Newest Fire Tablet Is Only $150, With 10,000 Units Sold In the Last Month Alone About Premium Content Inks International Deals for Mystery and Romance Series, Counterfeit Art Doc (EXCLUSIVE) Danny and Nia Booko Leaving ‘The Valley’ for Season 4 After Being the Focus of Controversy: ‘Our Priority Is Protecting Our Peace’ Keymark Television Network Lumiere Declaration Sets 15 Principles for Global Film Governance, Calling Audience Attention ‘a Trust to Be Honored, Not a Resource to Be Captured’ Patrick Yandall: The Music Is the Connection Lee Chang-dong, Jeon Do-yeon and Sul Kyung-gu on Class, Desire and Reunion in Venice Competition Drama ‘Possible Love’ Victor Miller, ‘Friday the 13th’ Screenwriter, Dies at 86 Wim Wenders on Why He Made a Documentary About Architect Peter Zumthor, and How Brad Pitt Helped Get It Made Moonfish’ Director and Stars Lucy Liu and Morgan Spector Break Down Their Black-and-White Animated Film About Isolated Astronauts And Why It’s an Allegory for ‘The Current Human Condition’ Dev Benegal’s Judith Blum Reddy Doc ‘Everything Is Not OK’ Acquired by Watermelon Pictures, Annemarie Jacir Aboard as EP (EXCLUSIVE) San Sebastian, Busan-Bound Taiwanese Coming-of-Age Drama ‘Will You Still Be My Friend’ Boarded for Sales by Moveria, Trailer Unveiled (EXCLUSIVE) ‘The Runner’ Review: Gal Gadot Is a Mother on a Rescue Mission in an Energetic but Uninspired Amazon Thriller Hyun Bin and Woo Do-hwan Turn Against Each Other in Hulu and Disney+’s ‘Made in Korea’ Season 2 Jeff Franzel: A Life Composed in Melody Sri Sri Ravi Shankar’s WFAC, Creativeland Take ‘Krishnavataram’ Global (EXCLUSIVE) AI Filmmaking’s Future Debated by Alibaba, Sonilo, PROMPTR Executives at TapNow and Dogme23’s Venice Production Bridge Panel Gaza Cinema Academy Launches at Venice Film Festival Tsai Ming-liang on Venice and San Sebastian Title ‘Dust,’ Slowness as Rebellion and Life With Lee Kang-sheng French Drama Series ‘The Red and the Black’: Passion, Power, Political Intrigue and Victor Belmondo’s Anti-Romantic Hero ‘Elsinore’ Review: Andrew Scott Is Powerfully Moving as Ian Charleson, the ‘Chariots of Fire’ Star Who Played Hamlet While Ravaged by AIDS Utopai Studios, DeNA Team on AI-Assisted Animation Projects in Japan (EXCLUSIVE) ‘The Sun Never Sets’ Review: Dakota Fanning and Jake Johnson Split, Maybe, in Joe Swanberg’s Unsatisfying Romcom Andrew Garfield Hasn’t Seen ‘Spider-Man: Brand New Day’ Yet and Insists He’s Not in ‘Avengers: Doomsday’ ‘Ramayana’ Sets November Release Date George Lucas Says Opening Lucas Museum ‘Almost Broke My Will’: ‘It’s Taken So Long to Get Here’ Spain’s Impulse Cinema and Italy’s Fandango Forge Strategic Partnership to Boost Co-Production and Sales Opportunities (EXCLUSIVE) Lav Diaz Preps False Prophets Film and Jose Rizal’s ‘Noli Me Tangere’ Adaptation, Unpacks Venice Title ‘Let Us Through, Dear Ancestors’ (EXCLUSIVE) David Byrne Returns to Oscar Race With Original Song for Elon Musk Documentary ‘Musk’ (EXCLUSIVE) Patrick Yandall: The Music Is the Connection ‘Everest: The Other Side’ Directors Elizabeth Chai Vasarhelyi and Jimmy Chin Talk Grief, Loss and Their Most Personal Film Yet: ‘You Don’t Get to Choose Your Calling’ Rodrigo Moreno and Santiago Mitre AD Felipe Solari Yrigoyen Set to Make Directorial Debut With ‘The Amateurs’ ‘The Truffle Hunters’ Directors Michael Dweck and Gregory Kershaw Look for the Perfect Wine in ‘Burgundy’: ‘A Great Glass of Wine Changes How You Perceive the World’ Oasis Documentary Directors on Filming the Brothers’ First Reunion in 15 Years and Why There Wasn’t Much Emotion in the Room: ‘It’s the Gallaghers, It’s Not ‘Dawson’s Creek” ‘Guardians of the Video Game’ Lands Finecut for International Sales Ahead of Toronto Market Mad Solutions and Haitham Dabbour’s Irth Platform Announce Strategic Pan-Arab Content Partnership in Venice Alex Cooper’s ‘Love Overboard’ Canceled by Hulu After One Season Duane ‘Keffe D’ Davis Found Guilty of Orchestrating Tupac Shakur’s Murder Sandra Bullock Recalls First ‘Practical Magic’ Bombing After Thinking ‘People Are Going to Love It’: ‘And Then It Got Quiet’ Xolo Maridueña Was Not Sure Blue Beetle Would Ever Come Back, Until James Gunn Called Him About the ‘Superman’ Sequel: ‘The Most Humbled’ As Swiss Films Expand International Reach, English-language Works Are on the Rise ‘Days of Thunder’ Star Randy Quaid Says Anne Hathaway Is ‘Woke’ and a ‘Horrible Choice’ for the Sequel: ‘You Need the Original Girl’ ‘Lanterns’ Stars Aaron Pierre, Jasmine Cephas Jones on John’s Backstory Episode and How Being Black Informs His Quest to Become Green Lantern: ‘Fear Is Instilled in Our Ancestry’ Korea’s Showbox Launches Microdrama Label Showbite, Sets Sights on Global Markets (EXCLUSIVE) Fierce: Mariea Antoinette Brings the Harp to the Forefront Enhypen Lands First No. 1, Dolly Parton Reenters Top Five on Albums Chart ‘Pokémon: Wild Card’ Movie Sets 2027 Release Date, Drops Anime Teaser Starring Trading Card Game Player Édgar Ramírez and Nahuel Pérez Biscayart to Star in ‘Land of the Savages’ by Venice-Winning ‘Blanquita’ Director Fernando Guzzoni