For Immediate Release

Dallas, Texas – May 18, 2026 – Brian Bromberg has spent decades redefining what it means to be a bassist, composer, producer, and musical storyteller. A Grammy-nominated artist with more than 30 solo albums and countless collaborations, Bromberg’s career is not built on repetition or formulas. It is built on growth.

For Bromberg, growth is not a marketing phrase or career strategy. It is the core reason he continues making music.

During his conversation with Paula Atherton on The Paula Atherton Show, Bromberg repeatedly returned to one idea: the purpose of music is evolution…emotionally, creatively, spiritually, and technically.

“I think it’s really important that we keep growing and keep evolving,” Bromberg explained. “The whole point of practicing is practicing what you don’t know versus practicing what you do know.”

That philosophy runs through every chapter of his career.

Creating Instead of Replicating

One of the defining themes of Bromberg’s career has been his refusal to remain inside a single genre or artistic identity. While many artists become known for one sound, Bromberg intentionally pushes himself into unfamiliar territory.

“I don’t want to do the same thing over and over and over again,” he said. “Every record I make does not sound like the last one.”

That artistic freedom has allowed him to explore acoustic jazz, fusion, contemporary jazz, funk, Latin music, rock, Brazilian music, and orchestral interpretations.

His website, BrianBromberg.net, reflects that same diversity. His discography includes genre-spanning releases such as Bromberg Plays Hendrix, In the Spirit of Jobim, Jaco, Hands, Wood, The Magic of Moonlight, A Little Driving Music, and the 2024 tribute project LaFaro, honoring legendary bassist Scott LaFaro.)

Bromberg credits much of his creative expansion to his long relationship with Japan’s King Records and producer Susumu Morikawa, who continually encouraged him to step outside his comfort zone.

“They would have me do records and genres or styles or things that I never would have thought of doing,” Bromberg said. “And what happens when you do that? You grow.”

Fear as a Pathway to Growth

One of the clearest examples of that growth came through Hands, Bromberg’s solo acoustic bass album.

Initially, the project terrified him.

“I was really scared of it because you can’t be any more naked than playing solo,” he admitted.

But once he began recording, the fear transformed into clarity.

“This is who I am. This is what I do,” Bromberg recalled realizing during the sessions.

The album became one of the purest expressions of his artistry… live, improvised, and emotionally exposed.

That willingness to embrace vulnerability defines much of Bromberg’s creative philosophy. Whether reinterpreting Jimi Hendrix, Brazilian master Antonio Carlos Jobim, or classical composers, Bromberg approaches every project with the same question:

How can this experience help me grow?

Music Must Make You Feel Something

Throughout the interview, Bromberg emphasized that technical skill alone is never enough.

“Virtuosity gets their attention,” he explained. “But if you don’t give them substance and heart and soul and feel, they’re going to walk out of your show and go, ‘Wow, he played great. What’s for dinner?’”

For Bromberg, the true purpose of music is emotional connection.

“I don’t want to hear it. I want to feel it,” he said. “I want you to affect me. I want you to change me emotionally.”

That perspective explains why Bromberg continues to resonate with audiences across multiple generations and genres. His music is not designed merely to impress listeners. It is designed to move them.

His website biography describes albums like The Magic of Moonlight as emphasizing “vibe and soulfulness rather than aggressive virtuosity.”)

That balance between mastery and emotion remains central to his identity as an artist.

Learning From the Masters

Bromberg’s growth as a musician was accelerated by performing alongside some of the greatest artists in jazz history.

Over the years, he has worked with legends including Stan Getz, Horace Silver, Herbie Hancock, Freddie Hubbard, Randy Brecker, Diana Krall, Michael Bublé, Andrea Bocelli, and many others.)

He joined Stan Getz’s band at just 18 years old.

“When you play with the best of the best, you are forced to bring your A-game,” Bromberg explained. “You can’t fake it.”

Playing with artists like Herbie Hancock fundamentally changed his understanding of music.

“This is why I wanted to be a jazz musician,” Bromberg said of performing with Hancock. “This is what it’s supposed to be like.”

Those experiences reinforced his belief that artistry is ultimately about authenticity and emotional honesty.

The Piccolo Bass: Finding a New Voice

Another major chapter in Bromberg’s artistic evolution was his pioneering use of the piccolo bass.

Rather than using the bass solely as a rhythm instrument, Bromberg tuned the instrument into a higher register, allowing it to function melodically.

“It opened up a whole new world for me of songwriting and soloing and learning how to sing through my instrument,” he explained.

That innovation helped define Bromberg’s sound and contributed to his success in contemporary jazz radio, where the melodic quality of the piccolo bass connected more naturally with listeners.

Importantly, Bromberg never viewed the instrument as a gimmick.

“It’s not about the instrument,” he said. “It’s about the music first.”

Growth Through Adversity

Toward the end of the interview, Bromberg revealed that recent years have brought significant personal challenges, including a difficult breakup, a move, a broken back, and eye surgery… all occurring within the same week in late 2023.

Yet even through hardship, Bromberg continued creating.

His upcoming projects, including work with Shanachie Entertainment and the group BPM alongside Paul Brown and Michael Paulo, reflect an artist still searching for new directions and new emotional truths.

That constant movement forward may be the clearest expression of Bromberg’s philosophy.

Growth is not optional.

It is the responsibility of the artist.

The Legacy of Brian Bromberg

Brian Bromberg’s career stands as a reminder that great music is never static.

From jazz clubs and recording studios to experimental projects and international collaborations, Bromberg has built a career defined not by comfort, but by curiosity.

His artistry is rooted in risk, emotional honesty, and the belief that music should connect people on a deeply human level.

As Bromberg told Paula:

“The audience wants to be moved. They all want to walk out of your show touched.”

For more information on Brian Bromberg, his discography, touring, and latest projects, visit:

BrianBromberg.net

For more information on Brian Bromberg, his discography, touring, and latest projects, visit: BrianBromberg.net

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